- a conspiracy in writing

Category: Technology Page 2 of 4

Aronofsky used Canon DSLRs on Black Swan

Being fans of Darren Aronofsky’s work, we’re anxiously awaiting the opening of his latest feature Black Swan. Like Aronofsky’s previous films, this was also shot by his DP Matthew Libatique.

American Cinematographer brings a very interesting interview with Libatique in their latest issue. This time around the talented DP decided to bring out the Canon 7D to shoot some of the scenes, in addition to the Super 16 and Arri cameras.

Libatique on working with the 7D:

The 7D has more depth of field than the 5D, but I needed that because I didn’t have a follow-focus unit and needed to work really fast. I shot everything documentary-style. I did all the focus pulls by hand, and we’d just look at it on the camera’s monitor. I ended up shooting on a Canon 24mm lens at 1,600 ASA to get as much depth of field as possible at a stop of T81⁄2.

HDSLR Camera Checklist

Piracy does not kill music

You’ve heard it over and over. “Piracy kills music”.

That claim is a blatant lie.

Don’t misunderstand me. I don’t advocate piracy. But the record industry spreads a myth about the digitalization of music that is just not true. It’s not about piracy, that discussion is just a distraction keeping us from debating the real issue: digital technology will revolutionize distribution, and there is no room for the middle man.

It has been said that Spotify and mp3’s has made it impossible for new bands to make money. The facts say otherwise. A recent norwegian study shows that the average artist has increased their income by 66% percent since 1999, adjusted for inflation.

The “Piracy kills music” myth also implies that the chances of making money off your music were much better before mp3. Totally untrue. There never was a golden age for musicians, when they really got the income they deserved from their art. The idea that mp3 has made matters worse is simply ludicrous.

Piracy is wrong, but really not a problem worth agonizing over, not for the musicians and artists. For the record industry, however, it’s a disaster. Digital distribution is the asteroid that must kill off the dinosaurs.

Here’s how the record industry run their scam:

The Great Divide

(Source: The Root)

It’s hard being an unknown musician, trying to make just a little money. It’s not necessarily easier for the bigger acts to get the income they deserve. Country artist Lyle Lovett has sold 4.6 million records, and never seen a dime from the sales. 30 Seconds to Mars sold platinum, but EMI/Virgin never paid the band a single penny. And had the nerve to sue the band for 30 million dollars.

The record industry will continue to claim that piracy kills music all through their death struggle. I hope the consumers and artists themselves don’t buy into that lie. Artists don’t need the industry anymore. They can set up their own websites and sell their music through services like The Bizmo. And, sure, bands will discover that a lot of people pirate their music, instead of paying the 9 bucks that the album deserves. That’s a pity, but still preferable to the record company stealing every last nickle, and the artist’s soul in the bargain.

BBC´s The Cutting Edge


Using HDSLR cameras for documentaries

I decided to get into the world of DSLR-video earlier this year. I had already done some documentary work with a Sony HDV camera, the HDR-FX7, but found that I wanted more control over depth of field and look than the prosumer type camcorder gave. I read up on the Canon 5D and 7D, and saw some clips and examples of what people did with these cameras. I quickly came to appreciate Philip Bloom´s blog, as he really started pushing the envelope on what these cameras could achieve in HD-video. I enjoyed reading about his experiences at the Skywalker Rach, when Lucasfilm flew him over to California in the autumn of 2009, to demonstrate the scope and abilities of these cameras.

I picked up the 7D later that winter. I decided to go for the 7D rather than the 5D mainly because of the price tag. The 5D was out of both my employers and my own price range, but researching the 7D online, I found that it would be more than good enough for my requirements. I worked on a short documentary back then, and was eager to see if I could put the 7D to work right away.

I decided to not use the 7D for that project. The reason was, I didn´t quite have the time to get to know the camera and get comfortable with it, before shooting began. So I decided to use our Sony HDR-FX7 once again. Not an amazing camera, by any means. But I´m quite content with its HD performance, and by now I´m so familiar with the camera that working with it feels easy. Most of the shooting was interviews, and to get a loose and easy feel I shot a lot of the interviews handheld. I used a Røde Stereomic, which gave me a good soundtrack. Had the budget been larger, I would have mic’ed the interview better. But to stay on budget I had to do both sound and camera myself, and so I opted for the easiest solution.

Now that I´m more familiar with the 7D – would I have used it for interviews at this point? Well, yes and no. I would have preferred to have two cameras covering the interview. One HDV-cam doing master shots, and the 7D for closeups and cutaways. That being said, it´s definitely possible to use HDSLRs for interviews. You just have to be a little more prepared than usual. Here are some key points:

  • remember the 12 minute limit. Start and stop recording to start a new file on the CF-card
  • have enough CF-cards
  • backup batteries
  • be very conscious about choosing your lens, and lighting your subject. Don´t go overboard with a shallow depth of field just because you can. With an f-stop of at least 5.6 you´ll be safe.
  • You definitely need to record sound separately. The Canon DSLRs just aren´t good enough soundwise for professional use. I use a Røde videomic that I plug into my 7D, but that really isn´t enough for interviews.
  • Finally, invest in a LCD viewfinder if that´s within your budget. This really helps your focusing, as well as giving you the stability to go handheld once in a while. I use the moderately priced LCDVF, while most people seem to prefer the pricier Zacuto Z-Finder.

Functionality of the LCDVF

Page 2 of 4

Powered by WordPress & Theme by Anders Norén